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All Guido Cagnacci Oil Paintings


 
 
Guido Cagnacci Maria Maddalena oil painting reproduction


Maria Maddalena
Oil on canvas 75,5 ?? 65,4 cm cjr
new24/Guido Cagnacci-663498.jpgPainting ID::  76693
 

 

 
   
      

All CAGNACCI, Guido Oil Paintings

Italian Baroque Era Painter, 1601-1681
 
 
CAGNACCI, Guido Maria Maddalena oil painting reproduction


Maria Maddalena
Medium Oil on canvas Dimensions 75,5 x 65,4 cm cyf
new24/CAGNACCI, Guido-273943.jpgPainting ID::  80319
 

 

 
   
      

All Artemisia Gentileschi Oil Paintings


 
 
Artemisia  Gentileschi Maria Maddalena oil painting reproduction


Maria Maddalena
1616(1616) Medium Oil on canvas cyf
new24/Artemisia Gentileschi-865354.jpgPainting ID::  82396
 

 

 
   
      

Artemisia Gentileschi
  
Italian 1593-1652 Artemisia Gentileschi Gallery Gentileschi was born on July 8, 1593 in Rome. She was the daughter of the painter Orazio Gentileschi and was trained by him. Our perception of Gentileschi has been colored by the legend surrounding her. Her alleged rape by her father colleague, the quadratura painter Agostino Tassi, when she was 17, was the subject of a protracted legal action brought by Orazio in 1611. Although she was subsequently married off to Pietro Antonio di Vicenzo Stiattesi in 1612 and gave birth to at least one daughter, she soon separated from her husband and led a strikingly independent life for a woman of her time - even if there is no firm evidence for the reputation she enjoyed in the 18th century as a sexual libertine. After her marriage, Gentileschi lived in Florence until about 1620. She then worked in Genoa and settled in Naples in 1630. Gentileschi traveled to England in 1638-40, where she collaborated with her father on a series of canvasses for the Queen House, Greenwich (now Marlborough House, London). Gentileschi died in Naples in 1652. It is tempting to adduce the established biographical data in partial explanation of the context of her art: the sympathy and vigor with which she evokes her heroines and their predicaments, and her obsession with that tale of female triumph, Judith and Holofernes. But such possibilities should not distract attention from the high professional standards that Gentileschi brought to her art. In a letter, dated July 3, 1612, to the Grand Duchess of Tuscany, Orazio claimed that "Artemisia, having turned herself to the profession of painting, has in three years so reached the point that I can venture to say that today she has no peer. Despite the obvious exaggeration, one can agree that Gentileschi art was of a consistently high quality virtually from the beginning.
Maria Maddalena
1616(1616) Medium Oil on canvas cyf

Related Paintings to Artemisia Gentileschi :.
| Tiepolo, Giandomenico-Entierro de Cristo-124 cm x 144 cm | Workshop of Francesco Granacci--Saint John the Baptist Bearing Witness | Carlo Dolci --Vittoria delle Rovere as Saint Catherine | Rembrandt van Rijn -- Large Self Portrait | Frank W. Benson--Portrait of a Lady | | The Tollgate | Still life floral, all kinds of reality flowers oil painting 193 | Extraction of St Ignatius- Heart | Helene Fourment and her Eldest Son Frans | Ecce agnus Dei fg |


        

 

 

 

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